{"id":1009,"date":"2018-11-10T18:42:41","date_gmt":"2018-11-10T18:42:41","guid":{"rendered":"http:\/\/377project.com\/?p=1009"},"modified":"2020-12-18T10:21:51","modified_gmt":"2020-12-18T10:21:51","slug":"16-377-ovodda","status":"publish","type":"post","link":"http:\/\/377project.com\/en\/16-377-ovodda\/","title":{"rendered":"16\/377: Ovodda"},"content":{"rendered":"

INSPIRATION<\/h4>\n
\"Ovodda\"
Entry sculpture<\/figcaption><\/figure>\n

Journey uphill. The road is short and the view is always beautiful with the valley of the river Tino on the left. I pass a small industrial zone and arrive in Ovodda early and rested, they were only a few miles.<\/p>\n

It’s Saturday and the village is calm. I take the usual photos of this trip: the obligatory selfie, the entrance sign of the village with my sticker 377, and the photos of the town hall, now closed. I note a sign for motorists: ‘be careful, in this village children still play on the streets’. I had already read it in another village, I do not remember where. But this is all colorful.<\/p>\n

\"Ovodda\"
Mural by Loi and Marietti, detail<\/figcaption><\/figure>\n

I meet the Mayor Cristina. She offers me coffee and speaks to me a little about Ovodda, what I can see, although unfortunately I will not be able to watch the production of the famous bread<\/strong>, which is also my favorite, because the ovens are closed until Monday.<\/p>\n

I’m happy with a walk in the historic centre<\/strong>, very nice, with many old buildings and the inevitable abandoned houses, even if here less than in other places, which however give a certain charm to these mountain villages, and here too many murals<\/strong> .<\/p>\n

\"Ovodda\"
House in the historic centre<\/figcaption><\/figure>\n

Cristina tells me about the economy of these places, still linked to agriculture and pastoralism, but with important production activities, for example the processing of granites.<\/p>\n

She tells me that the color sign for motorists was made by the children themselves, and the importance of education in their schools.<\/p>\n

When I leave her house, she proudly shows me a written sign on the street in front of her house with white paint from some citizen happy with her work: ‘TOP MAYOR’.<\/p>\n

\"Ovodda\"
Old sieve for the wheat<\/figcaption><\/figure>\n

In the evening I go back with my genealogical research, I find out that the great-great-grandmother I found buried in Tonara a few days ago, had origins here. I find her branch, going back to the early 1600s, in an important volume on Ovodda’s genealogies by Raffaele Cau. I conclude the day in the shadow of my Baroque ancestors.<\/p>\n

 <\/p>\n

SOUND FRAGMENTS<\/h4>\n

Inspired by the sounds of the launeddas. Written at Giampiero Mattu’s house.<\/p>\n\n

\"016-Ovodda-score\"<\/p>\n

<\/h4>\n

SARDINIAN\u00a0SHORT STORIES<\/h4>\n

Giampiero, who will host me tonight, supplies the canteens of the schools in the district. He prepares a seafood dinner, the first culinary variation since I started this journey, and proudly shows me some paintings painted by local artists, some books written by ovoddesi, poems, ancient remedies, medicine, genealogies and more. It has a well-stocked library.<\/p>\n

He tells me that he once kept food from supplies to schools: pizza. He had distributed the pizza slices to other villagers, and since then an old lady asks him all the time if he still has some pizza to give.<\/p>\n

Respectful of my work, after dinner he leaves me in the kitchen to write until late. The next morning, he prepares a beautiful herbal tea with \u200b\u200bfresh ginger and lemon.<\/p>\n

Before I leave, he tells me that he will go out for a nice ride, since it’s a nice day. I ask him if he’s on a bicycle and he says no, that since he had crashed as a child at the end of the main road, he has not touched a bicycle\u00a0ever again.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

INSPIRATION Journey uphill. 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